# The Golden ratio

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Euclid, in

*The Elements*, says that the line

*AB*is divided in extreme and mean ratio by

*C*if

*AB*:

*AC*=

*AC*:

*CB*.

Although Euclid does not use the term, we shall call this the

**golden ratio**. The definition appears in Book VI but there is a construction given in Book II, Theorem 11, concerning areas which is solved by dividing a line in the golden ratio. As well as constructions to divide a line in the golden ratio, Euclid gives applications such as the construction of a regular pentagon, an icosahedron and a dodecahedron. Here is how the golden ratio comes into the construction of a pentagon.

First construct an isosceles triangle whose base angles are double the vertex angle. This is done by taking a line *AB* and marking *C* on the line in the golden ratio. Then draw a circle with centre *A* radius *AB*. Mark *D* on the circle so that *AC* = *CD* = *BD*. The triangle *ABD* has the property that its base angles are double its vertex angle.

Now starting with such a triangle *ABD* draw a circle through *A*, *B* and *D*. Then bisect the angle *ADB* with the line *DE* meeting the circle at *E*. Note that the line passes through *C*, the point dividing *AB* in the golden ratio. Similarly construct *F* and draw the pentagon *AEBDF*.

Of course nobody believes that Euclid's *Elements* represents original work so there is the question of who studied the golden ratio before Euclid. Now some historians believe that Book II of *The Elements* covers material originally studied by Theodorus of Cyrene while others attribute the material to Pythagoras, or at least to the Pythagoreans. Proclus, writing in the fifth century AD, claims:-

*... multiplied the number of propositions concerning the section which had their origin in Plato, employing the method of analysis for their solution*.

*Elements*:-

Heath claims later in the same work that the construction of a pentagon using the isosceles triangle method referred to above was known to the Pythagoreans so there is a fair amount of evidence to suggest that this is where the study of the golden ratio began.This idea that Plato began the study of[the golden ratio]as a subject in itself is not in the least inconsistent with the supposition that the problem of Euclid II,11was solved by the Pythagoreans.

Hypsicles, around 150 BC, wrote on regular polyhedra. He is the author of what has been called Book XIV of Euclid's *Elements*, a work which deals with inscribing regular solids in a sphere. The golden ratio enters into the constructions.

Up to this time the golden ratio seems to have been considered as a geometrical property and there is no obvious sign that any attempt was made to associate a number with the ratio. Of course if *AB* has length 1 and *AC* = *x* where *C* divides *AB* in the golden ratio, then we can use simple algebra to find *x*.

*x*=

*x*/(1 -

*x*) gives

*x*

^{2}+

*x*- 1 = 0 so

*x*= (√5-1)/2.

Then the golden ratio is 1/*x* = (√5 + 1)/2 = 1.6180339887498948482...

With the development of algebra by the Arabs one might expect to find the quadratic equation (or a related one) to that which we have given above. Al-Khwarizmi does indeed give several problems on dividing a line of length 10 into two parts and one of these does find a quadratic equation for the length of the smaller part of the line of length 10 divided in the golden ratio. There is no mention of the golden ratio, however, and it is unclear whether al-Khwarizmi is thinking of this particular problem.

Abu Kamil gives similar equations which arise from dividing a line of length 10 in various ways. Two of these ways are related to the golden ratio but again it is unclear whether Abu Kamil is aware of this. However, when Fibonacci produced *Liber Abaci* *Liber Abaci*

Pacioli wrote *Divina proportione* *Liber Abaci*

He gives five such attributes, perhaps the most interesting being:-... it seems to me that the proper title for this treatise must be Divine Proportion. This is because there are very many similar attributes which I find in our proportion - all befitting God himself - which is the subject of our very useful discourse.

Cardan, Bombelli and others included problems in their texts on finding the golden ratio using quadratic equations. A surprising piece of information is contained in a copy of the 1509 edition of Pacioli's... just like God cannot be properly defined, nor can be understood through words, likewise this proportion of ours cannot ever be designated through intelligible numbers, nor can it be expressed through any rational quantity, but always remains occult and secret, and is called irrational by the mathematicians.

*Euclid's Elements*. Someone has written a note which clearly shows that they knew that the ratio of adjacent terms in the Fibonacci sequence tend to the golden number. Handwriting experts date the note as early 16

^{th}century so there is the intriguing question as to who wrote it. See [6] for further details.

The first known calculation of the golden ratio as a decimal was given in a letter written in 1597 by Michael Maestlin, at the University of Tübingen, to his former student Kepler. He gives "about 0.6180340" for the length of the longer segment of a line of length 1 divided in the golden ratio. The correct value is 0.61803398874989484821... . The mystical feeling for the golden ratio was of course attractive to Kepler, as was its relation to the regular solids. His writings on the topic are a mixture of good mathematics and magic. He, like the annotator of Pacioli's *Euclid*, knows that the ratio of adjacent terms of the Fibonacci sequence tends to the golden ratio and he states this explicitly in a letter he wrote in 1609.

The result that the quotients of adjacent terms of the Fibonacci sequence tend to the golden ratio is usually attributed to Simson who gave the result in 1753. We have just seen that he was not the first give the result and indeed Albert Girard also discovered it independently of Kepler. It appears in a publication of 1634 which appeared two years after Albert Girard's death.

In this article we have used the term golden ratio but this term was never used by any of the mathematicians who we have noted above contributed to its development. We commented that "section" was possibly used by Proclus although some historians dispute that his reference to section means the golden ratio. The common term used by early writers was simply "division in extreme and mean ratio". Pacioli certainly introduced the term "divine proportion" and some later writers such as Ramus and Clavius adopted this term. Clavius also used the term "proportionally divided" and similar expressions appear in the works of other mathematicians. The term "continuous proportion" was also used.

The names now used are *golden ratio*, *golden number* or *golden section*. These terms are modern in the sense that they were introduced later than any of the work which we have discussed above. The first known use of the term appears in a footnote in *Die reine Elementar-Matematik*

The first edition of Martin Ohm's book appeared in 1826. The footnote just quoted does not appear and the text uses the term "continuous proportion". Clearly sometime between 1826 and 1835 the term "golden section" began to be used but its origin is a puzzle. It is fairly clear from Ohm's footnote that the term "golden section" is not due to him. Fowler, in [9], examines the evidence and reaches the conclusion that 1835 marks the first appearance of the term.One is also in the habit of calling this division of an arbitrary line in two such parts the golden section; one sometimes also says in this case: the line r is divided in continuous proportion.

The golden ratio has been famed throughout history for its aesthetic properties and it is claimed that the architecture of Ancient Greece was strongly influenced by its use. The article [11] discusses whether the golden section is a universal natural phenomenon, to what extent it has been used by architects and painters, and whether there is a relationship with aesthetics.

**Article by:** *J J O'Connor* and *E F Robertson*

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